Take Me Home Country Roads

A cross country road trip is like no other road trip! For most road trippers, it's the Holy Grail of trips. For you, it may just be a long desired vacation or chance to visit family. No matter what your reason, you'll need some tips in order to prepare that are very unique to a cross country road trip. These five Golden Rules of Cross Country Road Trip Planning will ensure that your trip is a success!

Recognize that this country is HUGE. Looking at a map may give you the illusion that you can cross it in a couple of weeks. There is no way you can do that, no matter what any mapping site says. Day after day spent entirely behind the wheel is a hell I wouldn't wish on my worst enemy, and you certainly don't want to suffer through it. A typical enjoyable cross-country road trip can last anywhere from a month to two months depending on whether it's round trip or not. 

Take Me Home Cover

 

Home insurance is one the most important things that every homeowner must possess. The home insurance policy protects your property from all kinds of uncertain events. Almost all the residential cover plans cover your main residential property, assets, living expenses, medical bills, liabilities and any other additional structures. Amongst all these coverage options, maximum amount of claims are paid in the events of natural disasters. Almost all the natural disasters are covered under the terms and policies of the home cover plans, but you should not become carefree in this regard. Not all kinds home cover policies provide protection against all natural disasters.

Further in this article, I have highlighted some of the main natural disasters which should be covered in your home insurance policies. You should take some time out and have a look at the below mentioned carefully. This will help you in knowing more about the natural disasters which should be included in the home insurance policies.

Take Me Home

It's an interesting concept to make an '80s teen sex comedy in 2011 (or a few years earlier since the film's release was delayed) and Take Me Home Tonight manages to touch upon some of the magic of those films while also retaining modernistic comedy elements. The creators have stated that they wanted to make a movie that feels like it was made in the '80s rather than just parodying the decade, but the result shifts back and forth between accomplishing that goal and venturing towards the outlandish antics of present day gross-out teen comedies. The R rating allows for more colorful dialogue, a little nudity and plenty of drug use, but the most satisfyingly humorous moments don't involve sex, drugs, or its '80s setting. Visually (and certainly musically) the best of the '80s is there, but strangely the film would have been as effective set in any era. 

Though Matt Franklin (Topher Grace) now works at a Suncoast Video after graduating from MIT and has no prospects on his future career, his greatest regret is never obtaining the phone number of his unrequited high school crush Tori Frederking (Teresa Palmer). When a chance meeting with his dream girl allows him to join her at Kyle Masterson's (Chris Pratt) legendary Labor Day weekend party, Matt, his best friend Barry (Dan Fogler), and his twin sister Wendy (Anna Faris), navigate the rocky revelations of burgeoning adulthood through a night of wild partying, self reflection, and second chances.

Master of the '80s teen comedy, John Hughes, often employed a tactic where a moment of hilarity emerged after reflecting on the more serious revelations of growing up. Take Me Home Tonight uses an antithetical approach - bouts of comedy are capped with the somber musings of regrets and failures. This often leaves a bitter taste to the conclusion of each event no matter how comically it started and forces the viewer to reminisce on the solemnity. As a result the comedy acquires a much darker feel than it actually deserves, which perhaps accurately resonates with the seriousness of cocaine use and lying to women, but detracts from the laugh-out-loud appeal.

A few references to Hughes' work and some paralleling ideas surface in Take Me Home Tonight, but the film can't quite grasp the charm and sincerity of its authentic predecessors. It does, however, still manage to feature a classic tale of a teenager searching for his dream girl and accompanies this with clever bits of comedy and the scene-stealing over-the-top exploits of funnyman Dan Fogler.